An Unexpected Journey.

An unexpected journey began for me late last year, it reminded me that life is an ever evolving adventure and you don’t always know what is around the corner.

As some of you will know up until recently I worked part time in a small Framing and Fine Art supplies shop in Canberra. It’s owner decided on a sea-change in late 2022 and moved his business to the south coast. This at the time was rather sudden and definitely unexpected. What was next for me?

A daunting yet strangely exciting thing to contemplate, but I was determined to give myself a little time to consider this question.

Some painting I did while I was thinking.

As an Exhibiting Artist myself it quickly dawned on me that I would no longer be able to frame my own work anymore, my Old Boss having taken all that lovely framing machinery with him to the south coast. ( Shout out for https://framingpieces.com.au )

So I set about making it possible to do my own framing from home. I quite enjoy many aspects of framing artwork. It utilises many of my skills and I found I had learnt a lot in my 8 years at the store.

My first major acquisition was a Morso Mitre Guillotine. I found a second hand machine in good order. (It helped that I knew a bloke, who knew a bloke.) These are awesome machines, and with a little tweaking it is cutting beautifully.

I was unsure how to tackle Mat cutting at first, and thought perhaps I would outsource it. On a visit to my friend and fellow Artist Amanda, she produced a vintage C&H Bainbridge mat cutter she had in her shed that was in good condition but she couldn’t get it working well. She offered me the challenge to see if I could get it going. I had never cut mats by hand before being spoiled with a C&C mat cutter at work, where you cut the mat to size, plug dimensions into the computer and hit cut.

The machine needed a good clean, some lubrication and a good square up. After which it was really practice and trial and error to produce a well cut mat. Sharp blades and attention to all the little details of posture, blade depth and setting the over cuts correctly all contribute to achieving this.

My next big issue was space and storage. I live in a small house and mat board, foam-core and glass are not exactly small or easy to store. My other half helped me make a storage rack for the glass which was simple enough, but what to do with the mat board and foam-core and all the off-cuts produced?

Eventually I decided map drawers were the way to go and I was lucky to find another framer who was selling a pair locally. I had no idea how heavy they were and I really exacerbated an existing back injury whilst moving them! However they perfectly solved my storage issues.

My biggest hurdle and conundrum was frame joining. I purchased a hand operated V-nail gun that was powered by air. I planned to clamp and glue then apply the v-nails to each frame corner. The gun works well but I had not factored in that the Victorian ash and Australian Blackwood I would be using is extremely hard wood and I had issues with the mitres being forced open with the firing of the gun. The clamps I had were not sufficient to hold them closed. I tried to source other styles of clamps but not a lot was available and I wasn’t even sure they would do the job.

A wise man told me if you’re going to do the job do it properly with the right tools.

So today I take delivery of the right tool for the job. Arriving today is a pneumatic underpinner. These machines mean you can clamp, glue and fire in v-nails all at once, and are what the professionals use!

New Side Hustle

I was asked along the way by some other awesome Artists and friends that I know if I would do some framing work for them so from June 2023 I will be offering a limited framing service based in Canberra, catering mainly to the exhibiting artist or collectors of Fine Art. The range and services I will be initially offering will best suit watercolours, drawings, prints or miniatures. I also have experience with embroidery and textile work.

It will be an evolving entity so please feel free to contact me to see if my range, services and skills match what you are after.


Dyeing, printing, painting and Lockdowns.

Finding myself with more hours at home what better way to spend it by expanding my investigation of local natural dyestuff and then turning it into something useful!

This started during the 2020 COVID lockdown and is set to continue for however long we find ourselves in this current lockdown. It has been difficult not being able to go to work, but my situation is certainly more more secure than many others, for which I am grateful. The bonus time is wonderful for this kind of exploration and fun with fabric!


The Exotics That Crept In

I started a solar dye with some of the abundance of Marigold flowers that were blooming in my garden. I left it for three days in the sun. Stupidly expecting yellow/orange, I got a lovely mottled green.

METHOD

100gms of yarn

about 1 litre of boiling water

150gms of fresh Marigold flower heads

Large sealed Jar

Sun

I threw some sunflower seeds in my garden and they came up beautifully only to be all but gobbled down by snails or slugs. The few that made it grew large and flowered with big heads. Great food for my chooks I thought! When the flowers had finished, I was checking the seeds to see if they were dry and noticed that my finger tips were a brilliant bright purple. I remembered reading somewhere in my online research about sunflowers used as dye. So I apologised to the chickens who got lettuce instead and got out my dye pot!

METHOD

Approx. 100gms of Wool crepe soaked in alum water

1 litre of boiling water

Seeds from a Large sunflower head

Large sealed Jar

Sun

The colour took to the fabric almost immediately but I left it to steep for a couple of days. The colour can be shifted towards pinks (see above pic) with the addition of citric acid, or towards a blue/gray with the addition of soda ash.

Indigo Day

IMG_5942.JPG

I had a day with my Indigo pot which had been sorely neglected. It had completely dried out and a strange bunch of crystals had formed at the bottom of the pot that I wish I had photographed! I was unsure if I would be able to revive it, my google search didn’t turn up much so I just thought nothing ventured nothing gained.

I filled it with warm water and whisked up the crystals until they dissolved back into a liquid. I then skimmed off any detritus that floated on the surface and began to gently heat the pot up to 50 degrees. I checked the PH and adjusted then added the Hydros. The pot came back beautifully.

I had a few pieces of cloth that I thought the printing and colour wasn’t great on so I thought they would make great mottled dark blue and green fabrics for my bags. For the green I dyed the cloth in Turmeric first.

A Bundle of Dyeing

IMG_5990.JPG

I needed to expend my fabric stash and also wanted to try printing with some leaves, twigs and other vegetation that had been presoaked in mordant.

I had some beautiful medium weight wool crepe and some newly purchased fine wool crepe, as well as the final remnants of some doctor flannel that Mum had stashed for years.

With these experiments I was trying to keep some of the greens and produce colour variety. By introducing some dye material that had been soaked first in mordant, in this case iron or copper as well as unsoaked material it broadened the range of colours produced. I got browns from pale through to dark chocolate browns, almost black, some great purple tones and yes, green!

Painting

The exhibition schedule has all been postponed. Looking always for the silver lining, it has given me more time to paint and to prepare work in advance for when everything opens up again. Also time to check some other neglected things off the to do list, like finally joining The Botanical Artist Society of Australia and updating this website! Below is a few pictures of the painting I’ve been up to in the last 12 months. Some is commission work, some for teaching, some Exhibition work and some just for fun.