It's been a while.

It’s been a long time since I have blogged. I have been busy, I just forgot to share. Anyway here’s what I’ve been up to recently.


The National Australian Botanic gardens,

Botanic Art group 2019 exhibition

Toona ciliata, Australian Red Cedar

The 2019 exhibition was titled “More Than Just a Pretty Plant”. The group worked to the theme of useful plants. Meaning all the paintings must depict plants where the product of the plant ( eg fruit, leaves, sap,oil,bark, roots, etc) has a use either traditional, colonial or modern. I chose to paint Toona ciliata, Australian Red Cedar.

Highly prized for it’s timber, Red Cedar was used extensively in Australia and was referred to by the early settlers as '“red gold”. The first reference to an Australian timber appears in the journal of Lieutenant William Bradley in October 1788. The wood described is cedar, which he considered to be “a bastard kind of Mohogany…that makes tolerable good furniture.” Cedar became the most popular timber used in early Australian cabinet making.

I have a special attachment to this subtropical and deciduous tree as my Dad has collected, restored and polished furniture made of red cedar for as long as I can remember, and my partner continues to do the same. To this end it’s nice that my finished work has a little something of all of us. My Dad supplied an example of the species for me to photograph and draw, he has one growing in his garden. He also supplied some vintage red cedar. This cedar my partner hand planed then polished turning it into lengths of framing angle. Lucky as I am to work in a small framing store, I cut and joined the cedar into a frame for my own picture!

That’s mine in the middle.

That’s mine in the middle.


Beechworth Botanica 2019

It was a pleasure to be part of Beechworth Botanica again in April of 2019. The show is run biannually and this is the second Beechworth Botanica.

Eucalyptus leucoxylon

Crowea saligna


Smoke coming over Mt Majura at the back of my house.

Smoke coming over Mt Majura at the back of my house.

Late 2019

The National Australian Botanic Gardens, Botanic Art Group wildlife Art show opened at the gardens in mid December 2019, Australia had already been dealing with Bushfires for months. It was late December that it started to really effect Canberra. Our air quality plummeted to the worst in the world and visibility was poor, people either escaped somewhere else or hulled up at home trying to escape the smoke and extreme temperatures. My parents farm came under threat on New Years eve. The tiny Victorian town of Walwa, 5Km away from their farmhouse was evacuated. They chose to stay and defend the property. Three fire fronts and many sleepless nights later they emerged so very lucky. The fire burnt to their back paddock fence post and no further.

Fires around Australia continued throughout January, then fire broke out in the ACT itself burning much of Namadgi national park. Suffice to say our exhibition did not go well with the Gardens having to close for much of the time and nobody out and about.

Acanthorhynchus tenuirostus, Eastern Spinebill

Vombatus ursinus, Wombat

Merops ornatus, Rainbow Beeater

Linchenostomus penicillatus, White Plumed Honeyeater

Thopha saccata, Cicada, Double Drummer


A new decade, a new way of living.

We had barely begun to breathe again after the fires were out in March of 2020, when the world changed so quickly that we are all still trying to catch up. No longer was it something happening in far flung places, it was happening there and on our doorstep and collectively all over the world!

COVID19 has given us whiplash and a state of suspended animation at the same time. At least that’s how I feel.

From my personal perspective things have changed a little. My partner must work from home now and the schools have been closed for two weeks. I work a few less hours at the Framing and Art supplies store and we aren’t sure how much longer that will last. Taking the days as they come.

All exhibitions are cancelled or postponed. I was preparing for a teaching workshop at the Canberra NatureLab on June 20th- 21st. You can still check it out on their website but at this stage I don’t know when or if it will happen.

https://natureartlab.com.au/collections/workshops


We are in Lockdown. I notice how quite it is with the reduced traffic noise, and I have been lucky with the visitors to my backyard and nearby wetland, of the non -human variety of course! Plenty of inspiration for future work!

Another bright side; I get to spend a bit of time with my son and we have had rain! So much it’s lovely and green. Also my partner this very day has managed to buy toilet paper!!

Avocardo's, Iris and Some Ancient Dye Stuff.

New experiments with natural dye..

With the return of the sun and the warmer weather, I have returned to experimenting with some dyes!

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COMING SOON

Eco-printed handmade textiles....

"Quiet a few exotics here but rest assured the natives are getting a look in, watch this space for more on that score shortly".
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Dabbling in the exotic- Alkanet and Sappen Wood

 I ordered both these dyes online, as I was interested to try these ancient dyestuffs. The processes and the colours for both intrigued me so I had to try it out.

The Alkanet root is in powder form and must be pre-soaked in alcohol to release the colour because it is not water soluble.

Lavender (Alum), Gunmetal Grey (Iron)

I did two samples of 30 grams of wool; one with alum as the mordant and one with iron. I soaked the alkanet powder, about 10gms in some methylated spirits  for a few days beforehand.

Both samples were simmered for approx 30 minutes or until the colour was taken up.

I think that I needed to up the amount of alkanet powder for the amount of yarn I used to achieve stronger colours.

 

 

 

 

 

1.Dark Violet gray with Iron, 2. Flesh pink with  alum, 3-4. soft rosy pinks alum with soda ash.

Sappan wood or Brazilwood is a dye from the heartwood of the tree. Chalk (calcium carbonate) can make a difference to the colour that this dye produces. No chalk will result in shades of orange, while adding chalk to the dye bath will result in pinks, reds to crimson. It is sensitive to the PH of the water; acids (vinegar or citric acid) will make the colour more orange and alkalis (soda ash) will give you blue reds, crimsons and purples. The addition of Iron will shift to colour towards lavenders.

I did not have any chalk handy so I used quickeze tablets for settling upset tummies as a substitute as the main ingredient is calcium carbonate.

I did four samples- (pictured above from left to right)

  1. 1 quickeze tablet, 1/4 teaspoon iron
  2. 1 quickeze tablet, 1/4 teaspoon alum, simmer approx. 30 minutes.
  3. 1 quickeze tablet, 1/4 teaspoon alum, 1 teaspoon soda ash, simmer approx. 30 minutes.
  4. The fourth sample was the same as the third only I soaked it for 24 hours instead of boiling. The resulting colour was slightly brighter than sample 3.

Native Ballart Cherry Solar Dye

I have experimented a bit with the native Ballart cherry, but never using solar dye as my process. The results were surprising and promising.

  • Place leaves in a glass jar with 50 grams of wool. Cover with boiling water, add  1/4 a teaspoon of alum. Leave in full sun for approximately 1 week.
  • Place leaves in a glass jar with 50 grams of wool. Cover with boiling water, add  1/4 a teaspoon of iron. Leave in full sun for approximately 1 week.

So the results are a beautiful warm dark yellow and a dark cedar green!

A Tiny Experiment with Iris flowers and Solar Dye

I am not overly interested in using exotics for my dyeing but I was seduced by the bright purple flower heads in my garden and curious as to what I'd get. What I ended up with was not what I anticipated! The water after a day or so was quite purple as expected then it started to turn to a reddish purple.

  • Remove flower heads from foliage, place in a glass jar with boiling water and leave in full sun for a week.
  • Remove flower heads and add 10 grams of wool and a small amount of alum, leave in sun for a further week.

The result after the week were a soft lichen green.

Back on the Dark Side- Avocado Pits

This is my first time dyeing with avocado pits, as with the Iris flowers these are exotic but  I can see a lot of potential here, just for fun!

10 avocado pits per 100 grams of wool, add a 1/4 teaspoon iron

I simmered for 1/2 an hour,  then sprinkled a pinch or two of soda ash over the wool, but I did not stir, this will produce pink speckles where the soda ash sits on the yarn.

I ended up with a soft lavender yarn with a very random salmon pink speckle running through it. Quite lovely, very subtle colours. 

Further investigation needed, I want to see how far I can push the salmon pinks to burgundys and the mauves to purples. For that I'll need loads of pits!!

Wet on the washing line, and dry in a hank.